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Handel

Messiah| No.09: O Thou That Tellest Good Tidings to Zion

Pete Alan

1:59	Est. Play Time
51	Measures
	1,929Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		23	0	4	5	98%
		23	0	4	5	98%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		23	0	4	5	98%
		23	0	4	5	98%
Violoncellos		19	0	4	5	98%
Cembalo		25	53	7	5	95%
		22	60	3	5	95%
Fagott		18	0	4	5	84%
Oboe		11	0	1	6	65%
Soprano		11	0	1	6	65%
Bass		14	0	2	5	59%
Tenor		9	0	1	6	59%
Alto		10	0	2	6	57%
Alto Soloist		8	0	1	4	14%

HWV1A3N4 - Du stolzer Erdenkreis!

edward.maurath

2:22	Est. Play Time
39	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		13	29	1	3	89%
		19	19	3	4	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		13	29	1	3	89%
		19	19	3	4	100%
Bassoon Continuo		13	0	1	4	100%
Violoncello Continuo		13	0	1	4	92%
Violone Continuo		13	0	1	4	92%
Oboe		15	0	1	4	82%
Tutti Unisoni		15	0	1	4	82%
Bass as Consalvo		11	0	2	5	60%

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		17	35	6	5	100%
		15	2	3	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		17	35	6	5	100%
		15	2	3	5	100%
Bassoon Continuo		14	0	3	5	100%
Bass as Raymondo		17	0	5	8	75%
Oboe		8	0	2	3	71%

Air From Watermusic

LoneBugler

1:12	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
C Trumpet		11	0	1	6	100%
		11	0	2	6	94%
Bass Trombone		17	0	3	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
C Trumpet		11	0	1	6	100%
		11	0	2	6	94%
Bass Trombone		17	0	3	5	100%

Händel - Lascia Ch'io Pianga, for Baroque Flute (A=415)

Hyeon Kim

3:45	Est. Play Time
80	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	21	3	8	100%
		16	17	3	5	100%
Flute		12	0	4	11	70%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	21	3	8	100%
		16	17	3	5	100%
Flute		12	0	4	11	70%

Water Music Suite, Air

jlburnett

1:12	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		11	0	1	6	100%
		12	0	3	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		11	0	1	6	100%
		12	0	3	6	100%
		10	0	1	6	100%
Double Bass		15	0	3	5	100%

Sarabande

Paul Cooper1

6:24	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder		16	0	3	6	100%
		15	0	3	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder		16	0	3	6	100%
		15	0	3	6	100%
		18	0	4	5	100%
		11	0	2	4	100%

02. Behold The Lamb Of God

crize2foi

0:57	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	3	6	100%
Soprano		13	0	3	7	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	3	6	100%
Soprano		13	0	3	7	100%
Bass		15	0	3	7	92%
Tenor		13	0	4	6	92%

Händel - Lascia Ch'io Pianga, for Flute and Harp

Hyeon Kim

0:01	Est. Play Time
80	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		17	24	5	9	100%
		16	24	4	6	100%
Flute		12	0	3	12	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		17	24	5	9	100%
		16	24	4	6	100%
Flute		12	0	3	12	71%

Messiah| No.22: Behold the Lamb of God

Pete Alan

3:12	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		16	0	3	8	100%
Violin I		17	0	3	7	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		16	0	3	8	100%
Violin I		17	0	3	7	100%
Violin II		20	0	4	8	100%
Double Bass		16	0	3	7	97%
Alto		13	0	3	6	81%
Soprano		13	0	3	7	81%
Bass		15	0	3	7	75%
Tenor		13	0	4	6	75%

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	7	11	6	100%
		21	2	10	5	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	7	11	6	100%
		21	2	10	5	100%
Bassoon		19	0	6	8	100%
Bassoon Continuo		24	0	9	6	100%
Contrabassi Continuo		19	0	7	5	100%
Inferred Bassoon		23	0	7	6	100%
Viole		16	0	4	7	100%
Violini 1		20	0	8	6	100%
Violini 2		17	0	7	6	100%
Violoncelli Continuo		20	0	7	5	100%
Alti		10	0	4	7	83%
Soprani		14	0	5	7	83%
Bassi		16	0	5	7	79%
Tenori		12	0	4	7	76%
Oboe 1		12	0	3	7	72%
Oboe 2		15	0	6	7	72%

HWV5A1N11 "Egregio Duce"

edward.maurath

0:35	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)		11	11	4	3	80%
		12	12	3	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)		11	11	4	3	80%
		12	12	3	5	100%
Esilena		8	0	2	3	100%
Violoncello (Continuo)		8	0	2	3	100%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	24	6	8	97%
		22	28	5	6	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	24	6	8	97%
		22	28	5	6	100%
Violoncello (Continuo)		19	0	3	6	100%
Alto as Dorinda		15	0	4	8	78%
Contrabasses		8	0	0	3	8%
Viola		10	0	0	3	8%
Violins I		11	0	0	5	8%
Violins II		10	0	0	3	8%
Violoncellos		8	0	0	3	8%

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